Summary

Fanfare examines links between national identity, celebration, and state power by working with images of ceremonies and sites filmed by Jacques Madvo in the 1970s. Madvo’s films document a moment when traditional military celebrations began to appear against the backdrop of modernizing Canadian cities. The incongruity between modern cityscapes and military marches reveals the coexistence of two vastly different expressions of statecraft. The residue of this unresolved juxtaposition continues to this day, and is taken up in new footage which builds upon the themes identified in Madvo’s images.