
The film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.
Use Gatsby to find where to watch Mahler (1974) online. This movie page brings together streaming availability, cast details, ratings, and related discovery links in one place.
Watch now by comparing streaming, rental, and purchase options from Criterion Channel, Amazon Video (Rent), Amazon Video (Buy) where they are currently listed for your region.
Gatsby shows where to watch Mahler online, including streaming, rental, and purchase options when availability data is listed for your region.
Mahler may be available through Criterion Channel, Amazon Video (Rent), Amazon Video (Buy) where those providers are listed.
The cast section includes Robert Powell, Richard Morant, Peter Eyre, and more, with links to Gatsby cast and filmography pages.
Use the related titles, genre links, and browse pages on Gatsby to find more movies and shows like Mahler.

The film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.







