
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
Use Gatsby to find where to watch Marcello Mastroianni - Mi ricordo, sì, io mi ricordo (1997) online. This movie page brings together streaming availability, cast details, ratings, and related discovery links in one place.
Watch now by comparing streaming, rental, and purchase options from Criterion Channel where they are currently listed for your region.
Gatsby shows where to watch Marcello Mastroianni - Mi ricordo, sì, io mi ricordo online, including streaming, rental, and purchase options when availability data is listed for your region.
Marcello Mastroianni - Mi ricordo, sì, io mi ricordo may be available through Criterion Channel where those providers are listed.
The cast section includes Manoel de Oliveira, Marcello Mastroianni, Renato Berta, and more, with links to Gatsby cast and filmography pages.
Use the related titles, genre links, and browse pages on Gatsby to find more movies and shows like Marcello Mastroianni - Mi ricordo, sì, io mi ricordo.

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.







